MBV by My Bloody Valentine
If you thought I was all agog with Bailterspace for making a great record with their second album into a comeback, then wait til you get a load of how I'm feeling about MBV.
Given the time that has passed since My Bloody Valentine's last record, and the stature of that record, it's probably silly to review the new one without heavy reference to the old, so if you can indulge, that's how I'm gonna approach things here.
I think the new one is better than Loveless, and that is of course very high but also perhaps surprising praise indeed.
Hard to figure out how Kevin Shields managed this. Between the LSD usage, the experiments with sleep deprivation, for all I know his attempts to talk to the dolphins, and of course the passage of 22 years, My Bloody Valentine's third album probably doesn't have much business being good at all, let alone surpassing a classic.
Yet it does. MBV has--except in one case--better songs than Loveless; it's got a more forward guitar sound, and its experiments, though fewer, are more successful.
My purpose here is not to disparage the band's second album. Yet I do feel that the praise Loveless receives is mostly based on the songs that bookend it. "Only Shallow" and "Soon" are I think quite clearly the best two songs on the disc. My favorite theoretician, Brian Eno, famously described "Soon" as "the vaguest music ever to have become a hit," and consider this: the song as it shifts moods back and forth between the overdriven, minor key bridges and the brighter choruses creates a confusion of emotion. Eno described the song as vague because the emotions the song conveys as it moves forward conflict, and the listener is left unsettled. It's a trick that Loveless and MBV both use to good effect, but nowhere is it more effective than on "Soon.". The song is an enigmatic masterpiece.
"Touched," from Loveless, used the sampler extensively and is the album's most experimental track. But, you know, some experiments fail. Loveless is here and there called a perfect album, but, while I'll always give a tip of my hat to experimentation, "Touched" just does not succeed. It is true that MBV does not feel as experimental or as revolutionary as Loveless. Time probably explains the latter, while the former was probably Shields' choice. Yet the new album's most experimental track--"Is Nothing," 3-1/2 minutes of essentially the same riff, pounded unto its death, until your weakened brain begins hearing stuff that is most likely not there, totally works, whereas Loveless' most experimental track does not.
As you would imagine from my Bailterspace review, I'll be shocked if My Bloody Valentine follow up MBV with something even better. For one, I'm not sure that's possible, and besides, Shields had 22 years of consciousness raising (and depressing) to draw on in this album's composition; he's got less time now.
We've all got less time. But Kevin Shields can tell us, and wag his finger at us too if he'd like: never say never.
Five Stars, the best I heard in 2013
File under: Music That Celebrates Itself