Comments Elsewhere: On Led Zeppelin at Consequences of Sound

Sheldon Pearce at Consequences of Soundoverstated, I thought, the amount of critical shit Led Zeppelin took in their early days.  So I posted something.

John Mendelsohn and Rolling Stone reviews notwithstanding, Led Zeppelin’s quick success was not a surprise to very many.

Check out Tony Wilson of Melody Maker, quoted on the back of the first Yes album–

“At the beginning of 1969, I was asked as were all Melody Maker writers to pick two groups who I thought would make it in the following year.
One of my choices was LED ZEPPELIN. A bit obvious perhaps, but then we all like to back a winner occasionally.”

A later unsigned review of Led Zep I at Melody Maker said “Jimmy Page triumphs!” with the exclamation point intact.

Or Felix Dennis at long-forgotten OZ magazine:

“VERY OCCASIONALLY a long-playing record is released that defies immediate classification or description, simply because it’s so obviously a turning point in rock music that only time proves capable of shifting it into eventual perspective. (Dylan’s Bringing It All Back Home, The Byrds’ Younger Than Yesterday, Disraeli Gears, Hendrix’s Are You Experienced? and Sgt. Pepper). This Led Zeppelin album is like that.”

And even Mendelsohn called II “a fucking heavyweight.”

It’s clear there were some bad reviews of early Zeppelin, but I think the article overstates their preponderance; and more importantly, their significance. Bad Reviews of Physical Graffiti, for example (maybe in Creem?), would have perhaps pointed to Zeppelin’s bloatedness, which in the light of the coming of punk rock, were somewhat accurate charges which thus would have meant more than some dude in 1969 simply failing to get it.